I've said many times over the years that there is one thing just as sure as death and taxes. And it is that at any moment, about 1/3 of conservatives will fall into line with and support, endorse, excuse, or even agree with whatever the Left is doing or pushing. Not always the same ones about the same issues. But always about 1/3 can be counted on.
So Nolan's The Odyssey came out, and almost all was as predicted. Reviews have been mostly positive (mostly), and among more progressive or leftwing outlets, sometimes near gushing. A masterpiece, the greatest ever, a new epoch in filmmaking has begun. It's Christian and pagan and rightwing and leftwing and pigs have wings and so on. Meanwhile, many conservatives and those bothered mostly by the casting - or more importantly, why the casting - have either refused to see it, or did not like what they saw.
With our postmodern tendencies toward things like film reviews clouding the issue, I won't bother with different aspects of the movie and what was good or bad. That is ever and always a matter of taste and preferences anyway. And with so much riding on this movie's reputation, it will be tough to sift through how much of it was bona fide love of the product and how much was making sure the product would be loved despite itself. The opposite being true for its critics. Though from what I've heard, its various themes are pretty much every message you'd expect from an industry that has put fealty to the post-Western Left at the front and center of its priority list. As one reviewer said, Nolan's The Odyssey fails to tell us where we came from, but it sure as heck shows us where we're going.
Which brings us to my favorite group of conservatives. The ones who will always be there when the Left needs them. Especially, in this case, regarding the entire DEI mandate that Nolan was, in all likelihood, pandering to with his casting choices. And that is the big - I mean BIG - issue here.
Those who know me know that I define 'Woke' (a term I don't care for) as the Left basically saying 'you heard post-war liberalism insist our only hope is when we accept that all animals are equal? Well, we "woke" to how unjust and unfair that is, and now realize it's time to accept that some animals are more equal than others.'
We've seen that play out with 'never judge/you're the problem if you don't judge'; 'violence is never the answer/violence can be a darn good answer'; 'nothing is more sacred than free speech/sometimes we need some good old censorship', and on and on. But the biggest coup has been 'it's time to stop being bigots and be a color blind society and judge based on content of character/if you're not willing to judge based on ethnic identity or other group identities, you're the bigot.'
At which point we notice the Academy of Motion Picture's official declaration that henceforth, anyone wanting an Oscar nomination for Best Picture will make sure to cast actors and actresses according to group identity quotas (Bonus: Remember all those years when we were told Affirmative Action would never be about quotas?). And these quotas include, but are hardly confined to, ethnic identity, skin color, and other accidents of birth. What would have once been called bigotry or discrimination the way Goebbels used to bake it is now officially sanctioned. With no pushback from academia, the media, the Democrats, or even no small number of religious traditions.
It's purposefully eating away at the foundational values, principles, and even laws that have defined America and the trajectory of the overall Western Tradition for generations. It's serious. And nobody realizes this more than conservatives. Heck, one of their favorite shout-outs to President Trump during this most confusing of all presidential terms has been his push back against DEI mandates. And one of the most flagrant examples of these is the Motion Picture Academy's mandate to cast based on demographic quotas rather than, say, talent. Something that has been being pushed for years mind you, much to the chagrin of those to the right of center.
Yet despite this, what do we get with The Odyssey? Conservatives rushing out and giving a rousing thumbs up to the movie! I know, I know. So what if Sean Penn is a left of Lenin communist, the man can act! So what if Oliver Stone would rather the hammer and sickle than the stars and stripes? He's made some terrific movies. I get that.
But aside from every other stylistic, messaging, plot or film choices that some may or may not approve, the casting was, again, in line with the Academy's insistence that DEI is alive and well and living through officially sanctioned prejudice and discrimination by group identity. Including ethnicity. I mean, at what point do you stop saying 'messaging aside, I can't give a big enough thumbs up to Triumph of the Will'? Sure, you can point out that it is a masterclass in filmmaking, as has always been admitted. But must we endorse it or promote it or give it a rousing thumbs up?
All I can say is, if a thumbs up must be given, then let's admit DEI isn't that big of a deal. Already I've seen some on the Left point that out. I caught some podcast pop up on that FB podcast section with a young leftwing firebrand saying the same thing. For all the screams and protests and cheers for Trump's war on DEI, obviously it's not that big of an issue after all. Just like churches shutting down and banning worship services during Covid. Apparently not going to church is in no way a deal breaker. Something non-believers and critics were eager to point out. Just as I see them doing now about DEI being not so much. And you know what? They're right. And the next time DEI comes up, I'm sure they'll be there to remind us.

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